Announcing Auditions for CATS

Announcing auditions for Cabrillo Music Theatre’s production of CATS. Based on “Old Possum’s Book of Practical Cats” by T.S. Elliot, and set to music by Andrew Lloyd Webber, CATS ran on Broadway for 18 years, winning 7 Tony Awards. This production, the first to be mounted specifically for the Thousand Oaks Civic Arts Plaza, will be directed by Ovation Award-winner Dana Solimando, a veteran of the CATS National Tour. Ilana Eden will serve as Musical Director and Conductor, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld.

CATS begins rehearsal for non-AEA June 20th, and for AEA on June 29th, 2009. Performances run July 24th through August 2nd at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open and all roles open to Non-Equity talent. 3 Equity contracts (Guest Artist, Tier III) are available, to be used for the following roles: Grizabella, Old Deuteronomy, Gus/Growltiger/Bustopher Jones, Rum Tum Tugger, Munkustrap, Mistoffelees, and Jellylorum/Griddlebone.
There is pay for all roles.
There are no children’s roles in CATS. Those auditioning should be able to convince in an adult, professional company. Please bring picture and resume. Bring sheet music in the proper key, accompanist provided. Musical theatre okay. Pop appropriate only for specific roles as indicated. Non-union please limit song to one minute. No recorded music or a capella, please. Most dancers in the show sing up to a G, but there are a few exceptions. For dance and movement auditions, bring flat dance shoes and wear dance clothes that show your body. Singing auditionees may be asked to stay and move at their first audition.
DIVERSITY IS ENCOURAGED. ALL ETHNIC TYPES WELCOME.

Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360

Singing Appointments: February 7, 2:30-7PM; February 8, 1-5PM
Dance Calls: February 7, 10:00AM; February 8, 6:00PM

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601

Monday, February 9: 10:15AM Dance Call; 2:30-6:00PM - AEA Singing Appointments

All auditions are by appointment only. Callbacks will take place on February 12-15, and are by invitation only. To schedule an audition, please call (805) 497-8615 beginning January 12th. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn. Please note which roles require a singing audition first (some movement may be required at this audition) and which roles require attending a dance call FIRST (bring prepared music to sing as well). This is indicated at the bottom of this audition notice.

ROLES:

Alonzo – Male. Strong, sensual Tomcat. Tall, excellent dancer who sings. Good with lifts.
Bombalurina – Female. Tall, sexy, brassy woman with great body. Strong Belt, Low G to Mid-range C#. Sings “Macavity.” Must dance well. Triple threat.
Bustopher Jones/Gus/Growltiger – Male. “Opera, Theatrical Cat.” Strong tenor. Two octave range to B flat. Transforms from elderly to young actor/opera singer in his prime. Dance minimal.
Cassandra – Female. “The striking Abyssinian” or “Siamese Cat.” Long, sleek & proud. Excellent dancer with beautiful lithe body. Tall. Singing a plus but not necessary.
Coricopat – Male. Tantomile’s male twin. Excellent dancer who sings.
Demeter – Female. Sings “Macavity” with Bombalurina. Strong Belt, Low G to Mid-range C. Average to tall. Sexy with great body. Excellent dancer. True triple threat.
Grizabella – Female. “The Glamour Cat.” Sings “Memory.” Excellent voice. Strong Belt, Low F# to E flat. Strong actress. Should be able to play 40’s but all age ranges are encouraged to audition. Dance not necessary, but must move.
Jellylorum/Griddlebone – Female. The “Opera Cat.” Legit Soprano I range, Low B to High C. Dance a plus, but not necessary. Must move well. Age range 20’s-40’s.
Jennyanydots – Female. “The Gumbie Cat.” Character actress who taps & moves well. All body types, 30’s-40’s. Sings Low G to Mid-range C#.
Mistoffelees – Male. “The Magical, Conjuring Cat.” Outstanding male dancer with strong ballet. Must have excellent solid turns. Short to average height. Young & playful. Singing a plus but not necessary.
Mungojerrie – Male. Lovable juvenile delinquent. Excellent dancer/singer (Tenor) with lots of energy. Physical comedy a plus. Triple threat.
Munkustrap – Male. Narrator. Strapping man with good body & commanding presence. Average height to tall. Baritone with two octave range up to G. Must move well. Dance a plus.
Old Deuteronomy – Male. Regal. Gentle, large, robust man. Strong Baritone with range to G. Dance minimal to none.
Plato/Macavity – Male. Strong, Sexy & Athletic. Tall & strapping. Able to play the villain (Macavity). Excellent dancer who is good with lifts. Tumbling a plus.
Pouncival – Male. The innocent but playful young male kitten. Short, excellent dancer.
Rum Tum Tugger – Male. “Rock n Roll” cat. All types from young Elvis to David Lee Roth to Freddy Mercury etc…Must move well. Bring Rock song to audition.
Rumpleteazer – Female. Mungojerrie’s partner in crime. Excellent dancer/singer with lots of energy. Short & spunky. Acrobatics a plus but not necessary. Triple threat.
Sillabub – Female. The innocent young female kitten. Petite dancer/singer. Must sing well. Sings part of “Memory.” Childlike. Should have a pure innocent vocal quality.
Skimbleshanks – Male. “The Railway Cat.” Quirky character actor plus singer/dancer. Physical comedy a plus. Tenor. Triple threat.
Tantomile – Female. Coricopat’s female twin. Excellent dancer who sings.
Tumblebrutus – Male. Excellent dancer who sings. Great lifter & tumbler. Average to short in height.
Victoria – Female. “The White Cat”. Outstanding, petite female dancer with excellent ballet training & strong/high extension. Should be able to play a combination of young & sexy. Singing a plus but not necessary.
EIGHT PIT SINGERS- Four Male, Four Female. Soprano 1 to High D flat, Soprano II, Alto to F, Tenor to B flat and Baritone to G.

ROLES THAT BEGIN WITH A SINGING CALL: Grizabella, Munkustrap, Old Deuteronomy, Asparagus/Growltiger/Bustopher Jones, Jellylorum/Griddlebone, Rum Tum Tugger, Jennyanydots/Gumbycat, pit singers

ROLES THAT BEGIN WITH A DANCE CALL: All others

Those auditioning need only attend one audition, unless auditioning for a combination of roles that require both calls.

42ND STREET AUDITIONS ARE HERE

A reminder that December 7th is the start of auditions for Cabrillo Music Theatre’s production of 42ND STREET. New audition times have been scheduled on Wednesday, December 10th, in Thousand Oaks, to accommodate the overflow.

This classic “backstage musical” will be directed and choreographed by original Broadway cast member Jon Engstrom. Steven Applegate will serve as Musical Director and Conductor, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld.

42ND STREET begins rehearsal for non-AEA February 16th, and for AEA on March 2nd, 2009. Performances run March 27th through April 5th at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open and all roles open to Non-Equity talent. 3 Equity contracts are available, to be used for the following roles: Julian Marsh, Dorothy Brock, Billy Lawlor, and Peggy Sawyer. There is pay for all roles.
Adult roles limited to Age 15 and above. Due to the nature of the show, the entire ensemble must dance (especially tap) and sing. All those who wish to audition for the ensemble should attend a dance call, as must non-AEA Peggy, Billy, Andy and Annie. Please bring picture and resume. Bring sheet music in the proper key, accompanist provided. Musical theatre music; no pop. No recorded music or a capella, please. Non-union please limit song to one minute. For dance calls and principal roles who dance, please bring tap shoes and character shoes, plus the above music. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Sunday, December 7th – 1PM-5PM – Appointments for all non-dance roles
Dancers’ call (non-AEA BILLY, PEGGY, ANDY, ANNIE and ensemble):
Sunday, December 7th – 6:00PM

NEW!! NEW!! NEW!!
Wednesday, December 10th – 6PM-7:15PM – Appointments for all non-dance roles
Dancers’ call (non-AEA BILLY, PEGGY, ANDY, ANNIE and ensemble):
Wednesday, December 10th – 7:30PM

Screenland Studios, 10501 Burbank Blvd, N. Hollywood, CA 91601

Dancers’ call (non-AEA BILLY, PEGGY, ANDY, ANNIE and ensemble):
Monday, December 8th – 7:00PM

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, December 8th – 10:30AM-6:00PM

The dance calls on 12/7 and 12/8 are nearly full, and we now have a new dance call on 12/10. And don’t forget that appointments for all non-dance roles are on Sunday afternoon, 12/7 or Wednesday early evening, 12/10. Callbacks will take place on 12/11 and 12/14, and are by invitation only.

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn.

ROLES:

PEGGY SAWYER – Lead ingenue role “21 years old”. Attractive young lady who taps extremely well and must be a strong singer (Alto/mezzo).

JULIAN MARSH – Leading male role. Must sing very well (Baritone, up to an A flat) and must be powerful & charismatic. Should be mature enough to have established himself as a leading director on Broadway.

DOROTHY BROCK – Leading female role. A “Star”! Must sing very well (low alto with low E flat). Attractive performer who moves well and has a sense of humor.

BILLY LAWLOR – Lead male singing & dancing role (20’s –30’s). Must tap extremely well and must be a tenor.

MAGGIE JONES – Leading character role. The writer of the show. Must sing (alto) & move very well and must be able to play comedy with great warmth & charm.

BERT BARRY – Leading character role. The other writer of the show. Comedian with vaudeville timing. Should have a warm nebbish quality. (35 & up). Must sing (character, rich baritone).

ABNER DILLION – Character role. The Stars “sugar daddy” from Oklahoma. Prefer a large man. Ability to sing a help but not necessary.

ANYTIME ANNIE – Young character role. One of the girls in the “chorus”. Must be a first rate tap dancer and must sing well with a big belt voice (alto).

PAT DENNING – 40’s – 50’s Handsome. “Dorothy Brock’s” real love interest. A vaudeville performer down on his luck. A warm nurturing quality. Must sing well (baritone).

MAC – Character actor 30’s & up. The stage manager and also plays other roles. Ability to sing well a real plus but not necessary.

ANDY LEE – The dance director of the show. Must be old enough to have achieved that status and must be excellent tap dancer & must sing.

OSCAR – The rehearsal pianist. Non-speaking role. Must play piano extremely well.

MALE AND FEMALE DANCER/SINGERS - Also looking for a large, youthful, well toned, tap dancing ensemble (18 women, 10 men) who sing well. Other roles in the show will be assigned from this group.

Auditions for 42ND STREET Announced!

Announcing auditions for Cabrillo Music Theatre’s production of 42ND STREET. This classic “backstage musical” will be directed and choreographed by original Broadway cast member Jon Engstrom. Steven Applegate will serve as Musical Director and Conductor, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld.

42ND STREET begins rehearsal for non-AEA February 16th, and for AEA on March 2nd, 2009. Performances run March 27th through April 5th at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open and all roles open to Non-Equity talent. 3 Equity contracts are available, to be used for the following roles: Julian Marsh, Dorothy Brock, Billy Lawlor, and Peggy Sawyer. There is pay for all roles.
Adult roles limited to Age 15 and above. Due to the nature of the show, the entire ensemble must dance (especially tap) and sing. All those who wish to audition for the ensemble should attend a dance call, as must non-AEA Peggy, Billy, Andy and Annie. Please bring picture and resume. Bring sheet music in the proper key, accompanist provided. Musical theatre music; no pop. No recorded music or a capella, please. Non-union please limit song to one minute. For dance calls, please bring all your shoes, plus the above music. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Sunday, December 7th – 1PM-5PM
Dancers’ call (non-AEA BILLY, PEGGY, ANDY, ANNIE and ensemble):
Sunday, December 7th – 6:00PM

Screenland Studios, 10501 Burbank Blvd, N. Hollywood, CA 91601

Dancers’ call (non-AEA BILLY, PEGGY, ANDY, ANNIE and ensemble):
Monday, December 8th – 7:00PM

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, December 8th – 10:30AM-6:00PM

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615 beginning November 10th. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn.

ROLES:

PEGGY SAWYER – Lead ingenue role “21 years old”. Attractive young lady who taps extremely well and must be a strong singer.

JULIAN MARSH – Leading male role. Must sing very well and must be powerful & charismatic. Should be mature enough to have established himself as a leading director on Broadway.

DOROTHY BROCK – Leading female role. A “Star”! Must sing very well. Attractive performer who moves well and has a sense of humor.

BILLY LAWLOR – Lead male singing & dancing role (20’s –30’s). Must tap extremely well and must be a tenor.

MAGGIE JONES – Leading character role. The writer of the show. Must sing & move very well and must be able to play comedy with great warmth & charm.

BERT BARRY – Leading character role. The other writer of the show. Comedian with vaudeville timing. Should have a warm nebbish quality. (35 & up).

ABNER DILLION – Character role. The Stars “sugar daddy” from Oklahoma. Prefer a large man. Ability to sing a help but not necessary.

ANYTIME ANNIE – Young character role. One of the girls in the “chorus”. Must be a first rate tap dancer and must sing well with a big belt voice.

PAT DENNING – 40’s – 50’s Handsome. “Dorothy Brock’s” real love interest. A vaudeville performer down on his luck. A warm nurturing quality. Must sing well.

MAC – Character actor 30’s & up. The stage manager and also plays other roles. Ability to sing well a real plus but not necessary.

ANDY LEE – The dance director of the show. Must be old enough to have achieved that status and must be excellent tap dancer & must sing.

OSCAR – The rehearsal pianist. Non-speaking role. Must play piano extremely well.

Also looking for a large, youthful, well toned, tap dancing ensemble. Other roles in the show will be assigned from this group.

Casting THE KING AND I and BREAKING UP IS HARD TO DO

Auditions for BREAKING UP IS HARD TO DO; read below for additional auditions for THE KING AND I.

Cabrillo Music Theatre announces auditions the West Coast Premiere of BREAKING UP IS HARD TO DO, a "jukebox" book musical, built around the songs of Neil Sedaka. Taking place in a Catskills resort, circa 1960, it weaves a tale of love and laughter with classic Neil Sedaka hits, such as "Calendar Girl," "Love Will Keep Us Together," "Where The Boys Are," and the title tune. The six-member cast is joined onstage by a four-piece band of singer-musicians. BREAKING UP IS HARD TO DO will be directed and choreographed by Troy Magino. Lloyd Cooper will serve as Musical Director, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld.

Performances to take place at the Kavli Theatre, Thousand Oaks Countrywide Civic Arts Plaza, Thousand Oaks, CA. ALL ROLES OPEN TO NON-EQUITY. There is pay for non-union performers. Diversity is encouraged; all ethnic types welcome.

BREAKING UP IS HARD TO DO begins rehearsal on December 15, 2008. Performances run January 9-18, 2009, at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent. All roles are open, and all roles open to Non-Equity talent. Three Equity Guest Artist Contracts (Tier III) available, to be used among the six acting roles. Names will be considered for all roles.

Adult roles limited to Age 16 and above. First auditions will be a singing call. Bring sheet music in the proper key, accompanist provided. Musical theatre or pop okay. No recorded music or a capella, please. Non-union please limit song to one minute. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Audition schedule is as follows:

Thousand Oaks Auditions – A.E.A. and non A.E.A.:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Sunday, September 7th – 6PM-9PM

Los Angeles Auditions – A.E.A. and non-A.E.A.:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, September 8th – 3:00PM-6:00PM

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn.

ROLES:

MARGE GELMAN (20-30’s): mezzo soprano, comfortable to an E; Abandoned at the altar, Marge is an aspiring dentist from Brooklyn who finds herself in the Catskills on what would have been her honeymoon weekend with her best friend Lois. Must be strong vocalist with good comedic ability. All types considered.
LOIS WARNER (20’s-30’s): alto with some mezzo soprano ability, comfortable to a C; An aspiring nightclub singer, Lois lives her life as if in a Betty Grable movie. In trying to help her friend Marge recover from heartbreak, she inadvertently puts her in the line of fire of Del, the hotel's suave but manipulative bandleader. Lois is a quirky girl with more heart than smarts. Must be strong vocalist with good comedic ability. All types considered.
DEL DELMONACO (late 20's to 30's) tenor, comfortable to an A; The resorts headliner with more charm than one person should be allowed to have. Del will do anything to get ahead, including misleading Marge into thinking he loves her and stealing his cousin Gabe's songs for his own use. Del is not the sharpest knife in the drawer. Must be strong vocalist with good sense of comic timing and have the ability to ‘live’ in the period. All types considered.
GABE (mid to late 20's) tenor, Bb-C range; The clumsy, brainy and terribly sweet Guy Friday at the hotel, Gabe is on a fast track to joining his father's orthodontia practice. Lacking the self-confidence to perform his own music, Gabe is secretly the songwriting genius behind the music Del claims as his own. Upon meeting Marge he falls head over heels. Must be strong vocalist with a likable sensitivity. All types considered.
ESTHER (mid 40’s's to 60's) alto, comfortable to a C, or at least a Bb, but should really be rich in her low to mid register; The owner of the mid-size hotel named after her (Esther's Paradise), Esther is a survivor. Since the death of her husband, she has single-handedly kept the hotel afloat using crafty solutions, boundless energy and creativity to keep guests happy. She is fiercely independent, refusing help or support from anyone, and she's always there with a quip or smart remark. Must be strong but likable personality. All types considered.
HARVEY (50's to 60's) baritone, should have range to an F# or a G; The resident "tummler" (comedian/social director) at Esther's Paradise, Harvey is old-school. He is all about the punch line. A confirmed bachelor, Harvey spends most of his life cracking wise and avoiding any show of genuine emotion or vulnerability. Must be good vocalist with a strong sense of comedic timing. All types considered.
THE BAND (Piano, Bass, Guitar, Drums): The band is visible onstage as the "House Band" at Esther's Paradise Resort, and sings throughout the show. Must hold harmony. Male or female welcome. Already-formed bands will be considered.
THE KING AND I – Audition follow-up:
Auditions and callbacks have concluded. Cabrillo Music Theatre is still accepting new auditions for the following roles:
THE KRALAHOME (Age 40-60) – The Prime Minister of Siam, hard and narrow-minded, less capable of change than his leader. Excellent actor, any vocal type. Must convince as Asian.
LADY THIANG (Age 35-45) – Mother of the Crown Prince and first wife to King. Wise, composed and understanding. Must sing very well (Legit Mezzo) and convince as Asian.
SIR EDWARD RAMSAY (Age 30-45) – Distinguished British diplomat visiting Siam. Handsome, with a light sense of humor. Convincing British accent. Non-singing role, who might double as offstage singer.
CAPTAIN ORTON (Age 35+) – Sea captain, he’s warm and compassionate. Convincing British accent. Non-singing role, who might double as offstage singer.
BOYS (Ages 5-14), all progeny of the King and his many wives. Must sing and move well. Must convince as Asian or similar ethnicity.
Please contact 805-497-8615 if interested.

Auditions for THE KING AND I

Announcing auditions for Cabrillo Music Theatre’s THE KING AND I. East meets West as two cultures learn to accept each other in 18th Century Siam. This timeless Rodgers & Hammerstein treasure features the musical classics SHALL WE DANCE, GETTING TO KNOW YOU, I WHISTLE A HAPPY TUNE, HELLO, YOUNG LOVERS, and many more. The SMALL HOUSE OF UNCLE THOMAS Ballet, featuring Jerome Robbins’ original choreography, will be recreated by Irene Cho (THE KING AND I/Broadway, JEROME ROBBINS’ BROADWAY). Cabrillo Music Theatre’s Artistic Director Lewis Wilkenfeld will direct, and Darryl Archibald will serve as Musical Director and Conductor, with Heather Castillo handling the musical staging.

THE KING AND I begins rehearsal for children and ballet performers on September 8th, 2008, and for AEA and all others on September 22nd, 2008. Performances run October 17-26, 2008, at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open, and all roles open to Non-Equity talent. Three Equity Guest Artist Contracts (Tier III) available, to be used among the following roles: ANNA, THE KING, LUN THA, LADY THIANG.
For singing auditions: Bring sheet music in the proper key, accompanist provided. Musical theatre only; no pop. No recorded music or a capella, please. Non-union please limit song to one minute. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Bring sheet music in the proper key, accompanist provided. Musical theatre or pop okay. No recorded music or a capella, please. Non-union please limit song to one minute.
For dance auditions: Please be warmed up and ready to dance barefoot. Knee pads are strongly suggested.
For children’s roles: LOUIS and PRINCE CHULULONGKORN will audition as adults in the show, with an appointment for a singing audition. All other children will be auditioned as a group, and will be taught music and movement from the show.
NOTE ABOUT ETHNICITY: Efforts will be made to cast all of the Asian roles in THE KING AND I within a broad cross-section of ethnicity. While the production will remain faithful to the story and characters, casting of many roles will be as diverse as possible, while maintaining believability in time and place. Roles identified below as “Asian” should be looked at in the broadest possible context, as the staff is open to a wide range of possibilities.
Some of those cast as Asians must be willing to darken their hair or wear wigs as required by the artistic staff, and wear body makeup as required by the artistic staff. Children will likely NOT be wigged, so willingness to dye or darken hair is a must.
Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Saturday, August 9th – 10AM-7PM
Sunday, August 10th – 12PM-9PM
Tuesday, August 12th – 5PM-10PM
Ballet Call: Sunday, August 10th – 1:00PM
Children’s Call: Sunday, August 10th – 4:00PM

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, August 11th – 10:30AM-6:00PM
Ballet Call (Non-AEA) – 10:30AM

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615 ON OR AFTER JULY 21st. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn. Callbacks will take place August 18-21, and are by invitation only.

ROLES:

ANNA LEONOWENS (Age 30-45) – A young English widow, compassionate but completely undaunted by the King. Stubborn, yet entirely sympathetic. Very much a maternal presence to her son, she is also quite the passionate woman. Soprano with strong chest mix. Convincing British accent a must.
THE KING (Age 35-50) – Commanding presence. He is at times a powerful, adult male, at other times a playful child. A man of serious thought, and of great humor as well. Any ethnicity, but must be able to convincingly play Asian. Must sing or speak-sing in authoritative tones. Excellent physical condition, as he appears bare-chested at times.
THE KRALAHOME (Age 40-60) – The Prime Minister of Siam, hard and narrow-minded, less capable of change than his leader. Excellent actor, any vocal type. Must convince as Asian.
LADY THIANG (Age 35-45) – Mother of the Crown Prince and first wife to King. Wise, composed and understanding. Must sing very well (Legit Mezzo) and convince as Asian.
TUPTIM (To play age 18-22) – Attractive young woman, with a thirst for learning, and a desperate need to escape her circumstances with her love, Lun Tha. Must sing well (Legit Soprano) and convince as Asian.
LUN THA (To play age 18-25) – Handsome young man, secretly in love with Tuptim. Must sing well (Legit Lyric Baritone/2nd Tenor) and convince as Asian.
SIR EDWARD RAMSAY (Age 30-45) – Distinguished British diplomat visiting Siam. Handsome, with a light sense of humor. Convincing British accent. Non-singing role, who might double as offstage singer.
CAPTAIN ORTON (Age 35+) – Sea captain, he’s warm and compassionate. Convincing British accent. Non-singing role, who might double as offstage singer.
THE INTERPRETER (Any age) – Male, interprets for the Kralahome. Must convince as Asian. Sings with ensemble. May also be a dancer in ballet sequence.
PHRA ALACK (Any age) – Male, court servant to the Crown Prince. Must convince aqs Asian. Sings with ensemble. May also be a dancer in ballet sequence.
LOUIS LEONOWENS (To play ages 10-13) – Anna’s son, fond and defensive of his mother, curious and helpful. Must sing (Boy soprano). British accent a must.
PRINCE CHULULONGKORN (To play ages 12-15) – Heir to the throne, he shares his father’s curiosity and his stubbornness. Must sing (Young Tenor/Boy Soprano). Must convince as Asian.
THE ROYAL PRINCES and PRINCESSES (Ages 5-14), all progeny of the King and his many wives. Must sing and move well.
TEN WIVES OF THE KING (Ages 15-40). Some may double as dancers in ballet sequence. All vocal types. Must sing well and convince as Asian.
TWO AMAZON WOMEN (Ages 18-35). Tall, strong. Must sing and convince as Asian.
MEN (Ages 18-45), to play PRIESTS and GUARDS. Some may double as dancers or propmen in ballet sequence. All vocal types. Must sing well and convince as Asian. Skills with percussion instruments a plus.
SMALL HOUSE OF UNCLE THOMAS BALLET:
Seeking strong contemporary ballet and modern-trained male and female dancers for all ensemble and principal roles in ballet. Roles include: ELIZA, ANGEL, SIMON, THOMAS, EVA, TOPSY, MALE and FEMALE ENSEMBLE DANCERS, and PROPMEN. Some male roles may be played by women. Some performers may double in other parts of the show; others will appear in the ballet only. Performers of all ethnic and racial backgrounds are encouraged to attend.

Auditions for THE KING AND I

Auditions for Cabrillo Music Theatre's THE KING AND I will take place August 9-12. All roles are available. Audition appointments will be taken beginning July 21st. Please watch this space for further audition information, or sign up to receive Cabrillo Music Theatre's e-mail audition notification.

Auditions for SINGIN' IN THE RAIN - Revised

Announcing auditions for Cabrillo Music Theatre’s production of SINGIN’ IN THE RAIN, the stage adaptation of the classic M.G.M film. SINGIN’ IN THE RAIN will be directed by Larry Raben. Lloyd Cooper will serve as Musical Director and Conductor, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld. David Engel, five-time Ovation Award winner, will choreograph and play the lead role of Don Lockwood (the role made famous by Gene Kelly). The role of Cosmo Brown (the Donald O’Connor role) will be played by Randy Rogel. The 2008 production of SINGIN’ IN THE RAIN will include the rarely-staged movie version of the “Broadway Melody Ballet.”

SINGIN’ IN THE RAIN begins rehearsal for non-AEA around June 21st, and for AEA on June 30th or July 7th, 2008. Performances run July 25th through August 3rd at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open except for the roles of DON, COSMO and THE GIRL IN THE GREEN DRESS (in the Broadway Melody Ballet), and all roles open to Non-Equity talent. One Guest Artist Contract (Tier III) is available, to be used on either KATHY SELDEN or LINA LAMONT.
Adult roles limited to Age 15 and above. Please bring picture and resume. Bring sheet music in the proper key, accompanist provided. Musical theatre music; no pop. No recorded music or a capella, please. Non-union please limit song to one minute. For dance calls, please bring all your shoes, plus the above music. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Those auditioning for these roles – LENA, SIMPSON, DORA BAILEY, MISS DINSMORE, DEXTER and MALE DICTION TEACHER – should download the appropriate sides listed below. Scroll past the role descriptions to find the links – you will have to cut and paste the appropriate link to download the appropriate side.

Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Saturday, May 17th – 10AM-7PM
Sunday, May 18th – 1PM-9PM
Tuesday, May 20th – 6PM-11PM
Dancers’ calls (Kathy and Dance Ensemble):
Saturday, May 17th – 10:00AM
Tuesday, May 20th – 7:00PM
Childrens’ call – Saturday, May 17th – 4:30PM (NOTE NEW TIME)

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, May 19th – 10:30AM-3:30PM

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn.

ROLES:

DON LOCKWOOD – (Gene Kelly role in film) Cast: David Engel
COSMO BROWN – (Donald O’Connor role in film) Cast: Randy Rogel
GIRL IN THE GREEN DRESS – (Cyd Charisse role in the film) Cast: Linda Neel
KATHY SELDEN (Age 20s) – Debbie Reynolds role in film. Attractive ingénue. Fresh and spirited, this aspiring “serious” actress initially rebuffs movie star Don’s romantic advances. Although secretly smitten with Don, she is not afraid to speak her mind, and the two ultimately fall in love. Partnering and tap dance skills a must. Lyrical singing voice to a C.
LINA LAMONT (Age 25-40) – Jean Hagen role in film. Although a glamorous silent screen star, her offscreen persona is brash and crass. Character voice, highly comedic (yet not a caricature). She has a song, “What’s Wrong With Me,” not in the film. Belt singing voice to an F.
R.F. SIMPSON (Age 30-60) – Character role. Studio head of Monumental Pictures. Commanding physical presence. Singing a plus.
DORA BAILEY (Age 30-50) – Comedic, character role. A bubbly, larger-than-life, Hedda Hopper-style gossip columnist and radio personality. Seeking all physical types. Strong singing voice a plus.
ROSCOE DEXTER (Age 30-60) – Comedic, character role. High-strung movie director of Monumental Pictures. Seeking all physical types. Singing a plus.
MALE DICTION COACH (Age 50-70) - Comedic, character role. Shakespearean speaking voice. Seeking all physical types. Singing a plus.
MISS DINSMORE (Age 40-60) - Character role. Lena’s frustrated classical speaking voice coach. Seeking all physical types. Singing a plus.
PRODUCTION TENOR – Strong vocals and charisma essential. Performs solo star turn in “Beautiful Girl” production number. Doubles as ENSEMBLE.
ROD – Eager Monumental Pictures press representative. Doubles as ENSEMBLE.
YOUNG DON and YOUNG COSMO (Ages 8-12) – Two dynamic boys to play Don and Cosmo as children. Must dance well with basic tap skills. Singing a plus.
SIX MALE and TEN FEMALE DANCERS WHO SING, age 15 and up, to play DANCERS, PARTY GUESTS, ENSEMBLE ROLES.
TWO MALE and TWO FEMALE SINGERS WHO MOVE, age 30 and up, to play PARTY GUESTS, ENSEMBLE ROLES
TWO GIRLS (Ages 8-14) to appear in various ensemble songs. Must dance well and sing.

AUDITION SIDES:

Please download by pasting the appropriate link into your browser:

Lina: http://www.mediafire.com/?rm99m9tnqfm

Dexter: http://www.mediafire.com/?n9xwkxm1zmj

Dinsmore: http://www.mediafire.com/?nztudceorh0

Dora: http://www.mediafire.com/?d2gjjdaxuxa

Male Diction Teacher: http://www.mediafire.com/?23t2vdtwrnx

Simpson: http://www.mediafire.com/?bjyzvl1eaqh

Announcing auditions for Cabrillo Music Theatre’s production of SINGIN’ IN THE RAIN, the stage adaptation of the classic M.G.M film. SINGIN’ IN THE RAIN will be directed by Larry Raben. Lloyd Cooper will serve as Musical Director and Conductor, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld. David Engel, five-time Ovation Award winner, will choreograph and play the lead role of Don Lockwood (the role made famous by Gene Kelly). The role of Cosmo Brown (the Donald O’Connor role) will be played by Randy Rogel. The 2008 production of SINGIN’ IN THE RAIN will include the rarely-staged movie version of the “Broadway Melody Ballet.”

SINGIN’ IN THE RAIN begins rehearsal for non-AEA around June 21st, and for AEA on June 30th or July 7th, 2008. Performances run July 25th through August 3rd at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open except for the roles of DON, COSMO and THE GIRL IN THE GREEN DRESS (in the Broadway Melody Ballet), and all roles open to Non-Equity talent. One Guest Artist Contract (Tier III) is available, to be used on either KATHY SELDEN or LINA LAMONT.
Adult roles limited to Age 15 and above. Please bring picture and resume. Bring sheet music in the proper key, accompanist provided. Musical theatre music; no pop. No recorded music or a capella, please. Non-union please limit song to one minute. For dance calls, please bring all your shoes, plus the above music. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Saturday, May 17th – 10AM-7PM
Sunday, May 18th – 1PM-9PM
Tuesday, May 20th – 6PM-11PM
Dancers’ calls (Kathy and Dance Ensemble):
Saturday, May 17th – 10:00AM
Tuesday, May 20th – 7:00PM
Childrens’ call – Saturday, May 17th – 5:00PM

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, May 19th – 10:30AM-3:30PM

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn.

ROLES:

DON LOCKWOOD – (Gene Kelly role in film) Cast: David Engel
COSMO BROWN – (Donald O’Connor role in film) Cast: Randy Rogel
GIRL IN THE GREEN DRESS – (Cyd Charisse role in the film) Cast: Linda Neel
KATHY SELDEN (Age 20s) – Debbie Reynolds role in film. Attractive ingénue. Fresh and spirited, this aspiring “serious” actress initially rebuffs movie star Don’s romantic advances. Although secretly smitten with Don, she is not afraid to speak her mind, and the two ultimately fall in love. Partnering and tap dance skills a must. Lyrical singing voice to a C.
LINA LAMONT (Age 25-40) – Jean Hagen role in film. Although a glamorous silent screen star, her offscreen persona is brash and crass. Character voice, highly comedic (yet not a caricature). She has a song, “What’s Wrong With Me,” not in the film. Belt singing voice to an F.
R.F. SIMPSON (Age 30-60) – Character role. Studio head of Monumental Pictures. Commanding physical presence. Singing a plus.
DORA BAILEY (Age 30-50) – Comedic, character role. A bubbly, larger-than-life, Hedda Hopper-style gossip columnist and radio personality. Seeking all physical types. Strong singing voice a plus.
ROSCOE DEXTER (Age 30-60) – Comedic, character role. High-strung movie director of Monumental Pictures. Seeking all physical types. Singing a plus.
MALE DICTION COACH (Age 50-70) - Comedic, character role. Shakespearean speaking voice. Seeking all physical types. Singing a plus.
MISS DINSMORE (Age 40-60) - Character role. Lena’s frustrated classical speaking voice coach. Seeking all physical types. Singing a plus.
PRODUCTION TENOR – Strong vocals and charisma essential. Performs solo star turn in “Beautiful Girl” production number. Doubles as ENSEMBLE.
ROD – Eager Monumental Pictures press representative. Doubles as ENSEMBLE.
YOUNG DON and YOUNG COSMO (Ages 8-12) – Two dynamic boys to play Don and Cosmo as children. Must dance well with basic tap skills. Singing a plus.
SIX MALE and TEN FEMALE DANCERS WHO SING, age 15 and up, to play DANCERS, PARTY GUESTS, ENSEMBLE ROLES.
TWO MALE and TWO FEMALE SINGERS WHO MOVE, age 30 and up, to play PARTY GUESTS, ENSEMBLE ROLES
TWO GIRLS (Ages 8-14) to appear in various ensemble songs. Must dance well and sing.

Announcing auditions for Cabrillo Music Theatre’s production of SINGIN’ IN THE RAIN, the stage adaptation of the classic M.G.M film. SINGIN’ IN THE RAIN will be directed by Larry Raben. Lloyd Cooper will serve as Musical Director and Conductor, and the production will be supervised by Cabrillo Music Theatre’s Artistic Director, Lewis Wilkenfeld. David Engel, five-time Ovation Award winner, will choreograph and play the lead role of Don Lockwood (the role made famous by Gene Kelly). The role of Cosmo Brown (the Donald O’Connor role) will be played by Randy Rogel. The 2008 production of SINGIN’ IN THE RAIN will include the rarely-staged movie version of the “Broadway Melody Ballet.”

SINGIN’ IN THE RAIN begins rehearsal for non-AEA around June 21st, and for AEA on June 30th or July 7th, 2008. Performances run July 25th through August 3rd at the Kavli Theatre, Thousand Oaks Civic Arts Plaza, Countrywide Performing Arts Center. Currently seeking Equity Talent and non-Equity Talent.

All roles are open except for the roles of DON and COSMO, and all roles open to Non-Equity talent. One Guest Artist Contract (Tier III) is available, to be used on either KATHY SELDEN or LINA LAMONT.
Adult roles limited to Age 15 and above. Please bring picture and resume. Bring sheet music in the proper key, accompanist provided. Musical theatre music; no pop. No recorded music or a capella, please. Non-union please limit song to one minute. For dance calls, please bring all your shoes, plus the above music. DIVERSITY IS ENCOURAGED. All ethnic types WELCOME.

Audition schedule is as follows:

Non-Equity Auditions:
Hillcrest Center for the Arts, 403 W. Hillcrest, Thousand Oaks, CA 91360
Saturday, May 17th – 10AM-7PM
Sunday, May 18th – 1PM-9PM
Tuesday, May 20th – 6PM-11PM
Dancers’ calls (Kathy and Dance Ensemble:
Saturday, May 17th – 10:00AM
Tuesday, May 20th – 7:00PM
Childrens’ call – Saturday, May 17th – 5:00PM

A.E.A. Auditions:
Madilyn Clark Studios, 10852 Burbank Blvd., N. Hollywood, CA 91601
Monday, May 19th – 10:30AM-3:30PM

All auditions are by appointment only. To schedule an audition, please call (805) 497-8615 beginning April 28th. When leaving a message, please include your name, role(s) for which you’d like to be considered, telephone number, day and approximate time you’d like to audition, and whether or not you’re a member of Actors’ Equity Assn.

ROLES:

DON LOCKWOOD – (Gene Kelly role in film) Cast: David Engel
COSMO BROWN – (Donald O’Connor role in film) Cast: Randy Rogel
KATHY SELDEN (Age 20s) – Debbie Reynolds role in film. Attractive ingénue. Fresh and spirited, this aspiring “serious” actress initially rebuffs movie star Don’s romantic advances. Although secretly smitten with Don, she is not afraid to speak her mind, and the two ultimately fall in love. Partnering and tap dance skills a must. Lyrical singing voice to a C.
LINA LAMONT (Age 25-40) – Jean Hagen role in film. Although a glamorous silent screen star, her offscreen persona is brash and crass. Character voice, highly comedic (yet not a caricature). She has a song, “What’s Wrong With Me,” not in the film. Belt singing voice to an F.
R.F. SIMPSON (Age 30-60) – Character role. Studio head of Monumental Pictures. Commanding physical presence. Singing a plus.
DORA BAILEY (Age 30-50) – Comedic, character role. A bubbly, larger-than-life, Hedda Hopper-style gossip columnist and radio personality. Seeking all physical types. Strong singing voice a plus.
ROSCOE DEXTER (Age 30-60) – Comedic, character role. High-strung movie director of Monumental Pictures. Seeking all physical types. Singing a plus.
MALE DICTION COACH (Age 50-70) - Comedic, character role. Shakespearean speaking voice. Seeking all physical types. Singing a plus.
MISS DINSMORE (Age 40-60) - Character role. Lena’s frustrated classical speaking voice coach. Seeking all physical types. Singing a plus.
GIRL IN THE GREEN DRESS (Age 20s-30s) – Cyd Charisse archetype. Sexy, leggy seductress of Don in the Broadway Ballet fantasy. A smoldering non-speaking role that tells a story through dance. Strong jazz and partnering skills a must. Doubles as ENSEMBLE.
PRODUCTION TENOR – Strong vocals and charisma essential. Performs solo star turn in “Beautiful Girl” production number. Doubles as ENSEMBLE.
ROD – Eager Monumental Pictures press representative. Doubles as ENSEMBLE.
YOUNG DON and YOUNG COSMO (Ages 8-12) – Two dynamic boys to play Don and Cosmo as children. Must dance well with basic tap skills. Singing a plus.
SIX MALE and TEN FEMALE DANCERS WHO SING, age 15 and up, to play DANCERS, PARTY GUESTS, ENSEMBLE ROLES.
TWO MALE and TWO FEMALE SINGERS WHO MOVE, age 30 and up, to play PARTY GUESTS, ENSEMBLE ROLES
TWO GIRLS (Ages 8-14) to appear in various ensemble songs. Must dance well and sing.

Auditions for SINGIN' IN THE RAIN

Cabrillo Music Theatre will hold auditions for SINGIN' IN THE RAIN on May 17-20, with callbacks on May 27-29. Rehearsals begin mid-June to late June. AEA rehearsals begin June 30th. Performances run July 25 through August 3.

SINGIN' IN THE RAIN will be directed by Larry Raben, and will be choreographed by David Engel, who will also play the role of "Don Lockwood." All roles except the role of Don are available. Two A.E.A. Guest Artists Contracts are available, to be used among the following roles: Kathy, Cosmo, Lina Lamont.

Audition appointments will be taken beginninng in late April. Make sure to sign up at this website for audition e-mail notification.